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Hidden safely behind a clump of cedars Billy had watched and listened. He had heard Scroggie tell the storekeeper that he and his family had come to Scotia to stay and that he intended to cut down the timber of the big woods. He had then demanded that Spencer turn over to him a certain document which it seemed old man Scroggie had left in Caleb's charge some months before his death. Billy had seen Spencer draw the man a little apart from the others, who had gathered close through curiosity, and had heard him explain that the paper had been taken from his safe on the night of the robbery of his store. Scroggie had, at first, seemed to doubt Caleb's word; then he had grown abusive and had raised his riding-whip threateningly. Here Billy, having heard and seen quite enough, had acted. Placing his basket gently down on the sward he had picked up an egg and with the accuracy born of long practice in throwing stones, had sent it crashing into Scroggie's face. Gasping and temporarily blinded, Scroggie had wheeled his horse and galloped away. "I didn't see she 'ad, your honour." "D'ye mean handsome, Lucy?" said Captain Acton. "For the dog is that.".
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"Oh, is that so? Haven't I heered you an' Cobin Keeler say, time and ag'in, that that's how you both got the smoke-habit? And look at you old chimbneys now; the pipe's never out'a your mouths." Another element of admiration supplied increase of vitality to his passion when he gathered, from her own confession, that she simulated madness to rescue herself from a voyage whose issue threatened lifelong misery to her, and death by the hangman to the other. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. "What! Was he throwin' clubs at my coon?" Billy shouted..
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